Playwright, journalist and politician Clare Boothe Luce may not be a
household name today, but she was the talk of the town well before she
converted to Catholicism in 1946. By then she was serving a second term
in the U.S. Congress, following her work as a war correspondent, Vanity Fair editor and writer of the Broadway smash, The Women, the first such play where the entire cast was female.
Luce converted in her early forties, when, as Davis writes, “her
personal life was shattered.” Her only child, Ann, had been killed in a
car accident two years earlier. The loss triggered a breakdown,
including two suicide attempts. Luce believed Catholicism was not just
the salve for her pain but the antidote to Communism. The Catholic
church had long denounced Communism for its materialism, among other
attributes. As Americans grew increasingly weary of the Soviet Union,
Catholic bishops emphasized their opposition, as did Luce.
“She’s sort of the first one to say ‘My politics are true, because as
a Catholic convert, I have this ability to tell you what the
alternatives are, and to see what’s at stake,’” says Davis, the Miller
Family Early Career Professor of History.
The congresswoman’s conversion story ran in McCall’s women’s magazine, serialized over three months. McCall’s
paid $10,000 for the privilege, following a bidding war. The reaction
from Protestants, who then made up about 70% of the population, was
critical. Many wrote letters questioning her loyalty to America, saying
it was superseded by loyalty to the pope. According to Davis, the
comments’ true source was likely fear of control. “A group that has
dominated all aspects of politics and culture reacts to modest
assertions of influence with dire warnings of its own imminent demise,”
Davis writes. Notably, the author adds, Luce did not receive a single
disapproving letter from a Jew, Muslim, Hindu or Baha’i.